
Cleave
Comic by Fletch Helle
Davide Pozzoni, Ken Reynolds, and DC Alonso
Crows know
Cleave is an unexpected twist to a predictable story. That feeling that happens when calling out to a friend in the distance who turns out to be a stranger, but then just turns out to be another cool friend.
Art
Fletch found a solid ally. The art in Cleave sticks with the pace of the comic. The color palette is a bit drab, but chosen well. The palette itself expands and shrinks as does the ebb and flow of the comic. Reading through, an Easter egg will poke out. Then another. One thing leads to another before realizing the whole comic has these details and quips that bring it together. It’s worth looking back to appreciate and find ’em all.
Comprehensibility
The comic itself is well interconnected. An explanation of how smart crows are leads into the mundane life of Erik. Which turns into the not-so-mundane life of Erik. Not once does one feel lost reading through these pages. Each character has a name and personality, and even through their transitions, they stay faithful to their identities.
Almost everything makes sense, but then a few things don’t. Like, how come these two characters were affected, but not this one? The color palette brightens up at the end, but doesn’t make a lot of sense why; and who’s the guy with the glasses and tie?
Cohesion
This comic is super fun. Everything connects back to itself. While not immediately evident, it feels good to look back through the pages and find those connections. Little details start poking out that weren’t there before, and the whole thing comes to a cohesive existence. There’s a bit of a cliffhanger at the end, but it’s just kind of there. Sure, there’s a want to know who the guy is, but not because he’s interesting. Rather, he just kind of popped up out of nowhere. Looking back through the pages, there’s just nothing relating back to him, and it’s troublesome. More details will probably show up in the second issue. Sooner than later when supporting Fletch through his Patreon.